Through The Lattice Window

KV Duong, 2020

Acrylic, oil & transfer on board

W40 x H30 x D5cm

KV explores war, migration and the Asian diaspora through his family’s experiences of cultural assimilation in Canada as a minority immigrant family, and his own subset of integration growing up as a gay Asian male.

Through the Lattice Window - Battle of Hue 1968 is a mixed media work with acrylics, oil and a unique technique of transferring images (not collage) onto a wooden board surface that requires no framing and is ready to hang. It commemorates the Vietnamese civil war battle as a metaphor for KV's own internal struggle. The foreground metallic frames in this piece depicts abstracted traditional Chinese window patterns used in China, Vietnam and Japan. The overlapping of traditional and abstract window frames represents the integration and conflict between KV’s traditional Asian values and his Western liberal upbringing. The top right image is of the key bridge in Hue, the imperial capital of Vietnam, that was bombed during the ‘Battle of Hue’ in 1968 when the North and South Vietnamese were fighting for control of this strategic city. The bottom left image is from one of Duong’s body painting performances.

Other works by KV Duong:

About the artist

Reference : D10121

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Artist: KV Duong

KV Duong (b.1980 Ho Chi Minh, Vietnam) is a London-based artist with a practice that spans painting, sculpture, and performance. Duong grew up in Canada to Chinese Vietnamese parents displaced by the Vietnam War. In his work he explores themes of migration and cultural assimilation, through a re-examination of his parents’ and his own experiences. War trauma and integration correlate with the artist’s coming out as a gay Asian man.

KV creates imagined landscapes using various media such as historic Vietnam War images and documentation, his own body painting images, and found objects and materials that have personal significance. He retells a history that has been distorted through media censorship and displaced through passed-on experiences, and in so doing suggests a new psychological reality. The material surface is corrupted—ripped, scratched, painted over—to disrupt any simple representation. The traumatised surface of the final work responds to conflict and the altered effects of the original events of war migration and suppression of speech. In some works, perspective and scale are warped to create a tension between the object and subject relation.

KV is a self-taught artist with a Masters in Structural Engineering. He has contributed to several juried competitions including Derwent Art Prize (2016), Discerning Eye (2020), Royal Cambrian (2021, 2022) & Royal Ulster Academy Open (2021), Barbican Arts Group Trust Open (2021), BBC’s Royal Academy Summer Exhibition Programme (2019) and Sky Landscape Artist of the Year (2022). Duong presented his first institutional soho exhibition at the Migration Museum earlier in 2022.

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