• My Secret Passion Too

    My Secret Passion Too

    Dani Humberstone, 2018         

    Oil on canvas

    Size: W40 x H35 framed

    Dani uses the imagery of fruit in much of her work as she is interested in their metaphorical and symbolic use in both the visual arts, literature and mythology.  The use of traditional painting techniques and strong chiaroscuro create drama.  Importantly there is also humour and a quirky 'renaissance' feel running through her work – influences from 15th & 16th century Flemish painters are never far away.


    Other works by Dani Humberstone:

    Orlando oil on canvas   Big Pink Pomegranate oil on canvas   Cherry Bakewells oil on canvas   Pilgrims Progress oil on canvasLandscape Muse oil on canvasRembrandt's Rubicks Cube oil on canvas   Press Out Still Life oil on canvas    Planet Apple oil on canvas   Bananas oil on canvas    You And Me oil on canvas    Tulipmania oil on canvas

    About the artist


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    • £950.00 tax incl.

    Artist Dani HumberstoneArtist: Dani Humberstone

    Born in London, Dani attended a Rudolph Steiner School before studying fashion in Brighton. She returned to her original love of painting and drawing, freelancing for many years an artist before setting up a publishing company where she worked as the principle artist and designer. After several years she left publishing and turned to painting full time.

    In 2001 Dani opened The Art Shop, a studio, art shop and creative 'hub' in Wadhurst, East Sussex where until recently she also chaired The September Art Exhibition. She has exhibited all across the UK and Europe including twice at the Florence Biennale. Dani is the vice-president of The Society of Women Artists and has also written several books on painting for Search Press Ltd.

    I aspire to fuse the still-life tradition of Vanitas painting within a contemporary context, using both familiar objects and ideas. As a painter I can tear the visual curtain to reveal a microscopic world within worlds. I like to use layered memories and include personal objects, which ultimately make the work almost like a portraiture.” 

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