Rapids

"I love the idea of suggesting a landscape to a viewer and then essentially playing with that perception by drawing them in to also see the pure beauty of paint on the surface."

Rebecca works with negative space to trick the eye into paying attention to the spaces in between, using layers and texture to suggest depth and space but on closer inspection allowing the viewer to revel in the effect of the paint and colour on the surface. This paintings sits on the borderline between abstracted and representational, and deliberately doesn’t fall into either camp.